In comics, the “story” isn’t the words in the balloon, and the storyteller isn’t just the person deciding on plot elements. Storytelling comes from the artist/s of the comic as well as the writer/s of the comic.
The best way to explain storytelling to comics readers is to instruct the student to read “NEW X MEN,” sometimes erroneously called “Grant Morrison’s X-Men.”
The comic had one writer and several artists. The comic’s clarity and stability corresponds heavily with which of these artists has joined up for whichever storyline is going on. Grant Morrison, for all of his talent, isn’t in control of the storytelling as much as some people give him credit for. The issues that people like are the issues that Frank Quitely drew. The common denominator is Frank Quitely’s ability to convey what is needed, not Grant Morrison having a good or bad streak.
In this way, the person drawing the story is controlling the story in ways that the writing collaborator doesn’t control the story.
I FIND IT ODD that in comics, where visual style is so identifiable and individual, the artists are considered a lesser element of authorship than the writers. In film, a director exerts far less proportionate control over a project’s outcome and yet enjoys (or suffers) the overwhelming percentage of the credit (or blame).
left-handed: The Forge. ballpoint pen, photoshop.
Wrist is still in rough shape so I’ve been trying to do regular non-dominant hand drawings. Since I’m already unsteady doing this stuff, I’m trying to force myself to draw things I don’t like drawing.
"we can no longer protect you forever."
by Daniel Danger
24x36” five color screenprint.
Thursday 8/21/14: im posting this new print on tumblr, twitter, and instagram. reblog, retweet, or instagram this image with the title and #danieldanger and i, through some very scientific means, will pick one random follower who does this from each service on monday and send them a personalized copy for free. sound good? cool. shameless? yes.